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…This is home truly
where I know I must be
where my dreams wait for me
where that river always flows…
Kit Chan, Home
PHOTO: SUBSTATION
The Singapore river may feature prominently in the nation’s history and our daily lives, but will you be able to sketch out its shape? This was the struggle that led artist Debbie Ding to embark on \\: The Singapore River As A Pscyhogeographical Faultline, a month-long exhibition that is running at The Substation till 26 September 2010.
More than just the place to party in town or once the heart of Singapore’s economy, Debbie’s project looks at the river as a psychogeographical faultline, a site where our personal memories interact, merging and coming apart with time. She attempts to bring these out with two interactive installations in the exhibition.
PHOTO: FLICKR, KEVIN LIM
Just as cartographers often leave an imaginary element on the maps they draw so that they will be able to identify its as theirs, Debbie has created a board game around this idea. People who come to the exhibition are invited to leave a recollection of the area around the Singapore river on cards and mark them on top of a 1.5 metre x 3.75 metre hand drawn map of the area. This could be a personal memory or entirely fictional, and it is left to others to assess whether they believe it or not by pasting stickers on your card. Since the exhibition started, Debbie has also begun documenting the recollections left on this website.
PHOTO: FLICKR, KEVIN LIM
Debbie, who is also an interactive designer, has also created a map installation. Unfortunately, it was not working when I visited. I was told that it is a map of the Singapore river that changes shape according to how you move some circular pieces over it. I’ll definitely go back to see it again. If you’re interested in the mechanics and how it was created, see Debbie’s site. She is quite a geek.
PHOTO: FLICKR, DEBBIE DING
Finally, the catalogue for this exhibition is a little flipbook that contains Debbie’s illustrations of how the Singapore River has changed over the years and her impression of its future. Inside this limited edition catalogue designed by Asylum is also Debbie’s write-up on the project. You will also find an essay by Tania De Rozario that succintly explores the place of the Singapore River in our art scene and the significance of Debbie’s work.
In a city like Singapore that changes so fast, the aptly titled documentary, Old Places, is a pill of relief for the nostalgia-stricken people who have grew up here. This documentary by Royston Tan, Victric Thng and Eva Tang recently debuted on okto channel to celebrate Singapore’s 45th birthday, and it was so popular that it was re-run today.
Shot over 10 days, the film features just under 50 locations in Singapore that have been around for some time. These include, old cinemas, kopitiams, playgrounds, shops and even a bus stop! More importantly, these places meant something to a Singaporean. They were picked from a list contributed by Singaporeans who listed their favourite spaces and stories about why it mattered to them. So, even though many of the locations were run-down and even closed, one is still captivated by how these places transcended their physical form to be a memory box for a Singaporean.
In an interview with Civic Life, Royston said: “Singaporeans still love Singapore in their own special personal ways. Maybe not in the big picture, but everyone has their own favourite little haunt, their own little space. And because we have so little space, it matters so much more to them.”
While Singapore prides itself on building a city of great physical infrastructure, we often take up the space for personal memories too. Yet, it is these memories that make a city ours — a feeling one gets while watching Old Places. In the film, one never gets to see the famous Singapore skyline that frames our corporate brochures and tourist postcards, yet one can can recognise it to be Singapore.
This is the power of a city built with your memories, it is truly Your Singapore.
The National Museum of Singapore is holding an exhibition that looks at the rich history of street hawking in Singapore. Surviving the Streets: Peddlers and Artisans in Early-Mid 20th Century Singapore is a free exhibition on now till 22 August 2010 on the second-level of the museum.
“…Their lives on the streets highlighted not only disparities between class and race but also the conflicting perceptions between the government and the people. The colonial administration, enchanted with modernity, insisted on clarity and order. In contrast, the people on the street appeared to dwell in chaos and confusion.”